Visual Art Beauty And Beauty - 1802 Words

Discuss the meaning of â€Å"ugliness† in visual art. Beauty and ugliness play different roles in aesthetics, despite their relationship to one another. Aesthetics can be described as the science of beauty and ugliness (Langfeld, 1920). Historically, ugliness has been seen as an aesthetic predicate, the contradictory of the beautiful. This essay will discuss the meaning of ugliness in visual art, by using various psychological views, to truly understand what it means to aesthetically experience ugliness. According to Aristotle (c. 384 B.C.E.- c. 322 B.C.E.), an object was aesthetically beautiful if it is ordered, symmetrical and definite, and if it demonstrates each of these virtues to a high degree. Philosopher Immanuel Kant (1724-1804), whose work initiated dramatic changes in several fields, one of them being aesthetics, had a different view. To Kant, there is no objective property of a thing that makes beautiful. Aesthetic judgement was not different from ordinary theoretical cognition of nature and aesthetic judgement was similar to moral judgement. In Kant’s work â€Å"Critique of judgement† (1790), he put focus on what kind of judgement that makes us refer to something as beautiful. He believed that such aesthetic judgement takes pleasure in something because we judge it beautiful, instead of judging it beautiful because we find it pleasurable. Philosopher David Hume (1711-1776) believed â€Å"the very feeling constitutes our praise or admiration†. Meaning it was the feeling, notShow MoreRelatedHannah Wilke And Jessica Ledwich1188 Words   |  5 Pages Since the 19th century and first-wave feminism, to the 21st century and post-modern feminism; women have used art as a method of expression and activism. Art has allowed women everywhere to speak out against political and social inequalities and impact history through an indubitable visual language. Hannah Wilke and Jessica Ledwich are two visual artists – decades apart from each other – that explore and challenge the standards set up against women. â€Å"Curlers† is a piece by Hannah Wilke from herRead MoreThe Human Mind Applies The Concept Of Beauty900 Words   |  4 PagesThe human mind applies the concept of beauty to the objects it perceives. Without a spectator, a creation has no value. Does art require an audience in order to be branded ‘beautiful’? A recent exhibition at the Talbot Rice Gallery titled ‘Beholder’ aimed to answer the contemporary opinion of ‘what is beautiful?’ In this exhibition an artist Anthony Schrag wrote a brief essay that accompanied his work. In it he wrote: â€Å"I think we forget that art objects are just that – objects, paper, pigment, woodRead MoreThe Impact Of Paul Gustave Dore s 1869 Oil On Canvas, Andromeda, And A Large Internet Forum999 Words   |  4 Pagesthat related to art as a general consensus and how the idea of ‘beauty’ has influenced current viewers with their expectations for museums and galleries. With comments on my post such as â€Å"Actual art on [Reddit!?]† and â€Å"Art isn’t art unless it’s old† – it was at this point that I became more aware of Thomas Horsfall’s view of, what he put as, â€Å"arts bitterest enemies.† To elaborate further, Horsfall suggested in his paper, ‘Art in Large Towns†¦Ã¢â‚¬â„¢ dated 1882, historical and modern art visually enticesRead MoreThe Treatment of the Human Figure: a Travel Through Time1231 Words   |  5 PagesInterpretations Through History Throughout history artists have been fascinated with the human figure. Before photography was invented, painting, drawing and printmaking served as the only forms of visual documentation. It often felt the purpose of art was to capture a likeness; often the beauty of the human figure was stressed and imperfections of those who were being portrayed were minimized. Thus, here was little room for artistic expression or distortion of the human figure. However, beginningRead More Ode to a Nightingale, Ode on a Grecian Urn, and Ode to Autumn1470 Words   |  6 PagesThrough Keats eyes, the world is a place full of idealistic beauty, both artistic and natural, whos inherent immortality, is to him a constant reminder of that man is irrevocably subject to decay and death. This theme is one which dominates a large portion of his late poetry and is most readily apparent in three of his most famous Odes: To a Nightingale, To Autumn and on a Grecian Urn. In the Ode to a Nightingale, it i s the ideal beauty of the Nightingales song - as permanent as nature itself -Read MoreThe Artistic Experience Of Fine Arts792 Words   |  4 Pagesworld of humans to the outside. Art possesses the continuance and legitimacy of culture and connects the past with the present. Therefore, humans recognize their existence and value through an artistic cultural heritage and expand their creative abilities accordingly. Elliot W. Eisner (1988) described fine arts as an area of art in which thoughts and feelings are created and developed through a visual formative language. Fine arts as a visual and tactile form of art are the act of shaping one’s ownRead MoreI Am A Designer At Heart. I Started As A Graphic Designer1332 Words   |  6 Pagesthoughts floating inside my head and makes visual sense of them. Design functions as an ongoing, evolving conversation between art and technology. Graphic design principles of color theory, layout, and composition linger in the back of my mind when I glance at packaging on a grocery store shelf or flip through pages of a magazine. Similarly, beauty is there as long as I look for it. My mindset as a designer makes me attuned to the specific frequency of beauty and aesthetics. To the untrained eye, somethingRead MoreTrump At Work Essay778 Words   |  4 PagesTrump at Work Thomas Kerr is an Associate Professor of Art and Design at St.Johns University located in Queens, New York. Kerr was born August 30th, 1962 in Calgary, Alberta Canada. He is a graduate of the Alberta College of Art and Design. He went on to get his masters in visual jounalism from the School of Visual Arts. Kerr has also been published in every major news paper in the United States, from the New York Times to the L.A Times. He has also had his work shown and baught in dozensRead MorePost Warhol : A New Idea732 Words   |  3 PagesWAS REPLACED BY A NEW WAY TO THINK ABOUT ART. THE NEW THINKING SUGGESTED THAT THERE COULD NO LONGER BE A MASTER NARRATIVE; COULD NO LONGER BE A SET OF RULES WHICH FORMED A BASIS FOR JUDGEMENT ABOUT ART. IN FACT, THE QUESTION â€Å"IS IT ART?†, MAY HAVE BEEN VIEWED AS MEANINGLESS. A NEW IDEA EMERGED: ANDY WARHOL TOLD US: ART IS WHAT ARTISTS DO—AND, â€Å"ARTISTS† ARE PEOPLE WHO CALL THEMSELVES ARTISTS. OR, AS JOSEPH BEUYS PUT IT, â€Å"EVERYONE IS AN ARTIST.† IF â€Å"ART† WAS SOMETHING WE COULD RECOGNIZE ANDRead MoreThe Concept Of Readymade Art Emerged At The Forefront Of The 20th Century1034 Words   |  5 Pages Beauty: An Objective Account Jasmine J. Benner Phil 280: Aesthetics Topic #5 Elizabeth Panasiuk April 9, 2015 The concept of readymade art emerged at the forefront of the 20th century. Artists introduced conceptual pieces that relied solely on perception, rather than creation. This destructuralization of the art world blurred the lines between art and non-art. Absurdity had been introduced, and standards plummeted, in limbo for eternity. Art became void of all rules and obligations, the